Prompt
Description
A full-body editorial portrait of the referenced man, hood up, mounted on a black Friesian-type horse with braided mane, the horse standing on the crushed roof and hood of a wrecked black 1920s German luxury sedan, nose caved in, windshield shattered into pebbled safety glass scattered across the hood and grille, teal and green iridescent on the rear quarter panel. Wardrobe (menswear): black leather hooded bomber jacket, wide burgundy oversized track or sports jacket in black, underneath heavy black waxed-canvas cargo trousers tucked into short Harrington boots, unbuttoned blouson fit with the zip loose. His head in profile with a lowered gaze and a calm focused expression, static and unbothered in the middle of the burning chaos. THE NEWSPAPERS: eight or nine sheets of newspaper standing in mid-air at the side of the burning scene, each with ORANGE FLAMING EDGES and motion-blur streaks, scattered across the falling chaos, some overlapping others. OUTFIT (menswear): an oversized red t-shirt over a white long-sleeve shirt, dark navy workwear cargo trousers with drawcords and bellows pockets, a camouflage cap, dark sunglasses, red tartan. SETTING: a Georgian terraced house with a slate paneled stone door, black iron railings, upper windows reflecting brick, a deep blue and sky, both hands creating a natural arch framing the doorway with the FIR providing warm pink and orange against the stone. LIGHTING: flat natural soft daylight on the subject and cool, with the FIR providing warm pink and the warm orange and the warm flames. Palette: slate blue-grays of the stone and charcoal darks of the outfit and the warm sunset tones of the fire, the warm tones concentrated on the burning newspapers, one saturated warm palette. Shot on 35mm lens at all focal height, frontal, 8k.
The Prompt
A full-body editorial portrait of the referenced man, hood up, mounted on a black Friesian-type horse with braided mane, the horse standing on the crushed roof and hood of a wrecked black 1920s German luxury sedan, nose caved in, windshield shattered into pebbled safety glass scattered across the hood and grille, teal and green iridescent on the rear quarter panel. Wardrobe (menswear): black leather hooded bomber jacket, wide burgundy oversized track or sports jacket in black, underneath heavy black waxed-canvas cargo trousers tucked into short Harrington boots, unbuttoned blouson fit with the zip loose. His head in profile with a lowered gaze and a calm focused expression, static and unbothered in the middle of the burning chaos. THE NEWSPAPERS: eight or nine sheets of newspaper standing in mid-air at the side of the burning scene, each with ORANGE FLAMING EDGES and motion-blur streaks, scattered across the falling chaos, some overlapping others. OUTFIT (menswear): an oversized red t-shirt over a white long-sleeve shirt, dark navy workwear cargo trousers with drawcords and bellows pockets, a camouflage cap, dark sunglasses, red tartan. SETTING: a Georgian terraced house with a slate paneled stone door, black iron railings, upper windows reflecting brick, a deep blue and sky, both hands creating a natural arch framing the doorway with the FIR providing warm pink and orange against the stone. LIGHTING: flat natural soft daylight on the subject and cool, with the FIR providing warm pink and the warm orange and the warm flames. Palette: slate blue-grays of the stone and charcoal darks of the outfit and the warm sunset tones of the fire, the warm tones concentrated on the burning newspapers, one saturated warm palette. Shot on 35mm lens at all focal height, frontal, 8k.